Here’s a lovely video from the ace Tom Rosenthal who made these shorts for Comedy Central. I helped a wee bit, but he did pretty much everything on it. They’re great…
Here’s a little ditty to help clear (or add to) the stink of this flatulently toxic EU Referendum debate…
Noel Edmonds spouted some usual nonsensical rubbish about a magic box that tackles cancer, so I wrote a little ditty about it…
Hello. As you may have read on such illustrious platforms as Chortle or televisual industry websites I have a new job working for Comedy Central. The articles were accompanied by either an old picture of me holding a guitar or a recent hurriedly taken self-portrait. In both I have the cold dead-eyed stare of a killer. When I took the new pictures I rejected one where I was smiling because my girlfriend said I looked like too much of a pushover. It seems I now have to strike fear into anyone who is pitching to me. I bet you’re quaking in your fashionable boots.
A friend texted me this picture from the print edition of Broadcast, which I never actually saw. Now I have a proper job it seems I’ve gone fully Partridge…
In the full quote I make a self-deprecating joke, obviously. But they’ve edited it down, as is their right, to bring out the full media tosser.
It’s a really interesting, exciting and challenging role which I’m very lucky to have and I am throwing myself into with gusto (obvs, but also just in case my new employers are reading this). One of the big issues for me to deal with now is how I respond to people who contact me through the website. I’ve enjoyed being open, receiving ideas and I do try to respond – I generally can’t give detailed feedback on projects, but I’ve read every message and, apart from a recent backlog due to being a bit busy, what with the new job ‘n that, have responded to pretty much all of them. I only ignore those who make no effort to be courteous and only slightly prioritise those who heap praise on my vain little head.
From now on, however, I probably won’t look at your script or idea. I don’t want to close my email, because I think it’s useful all round for people to be able to contact me. A question might inspire a blog post that can then help more of you, for example. But for reasons of both practicality, legality and all round retention of sanity I’ll have to stop reading unsolicited scripts.
I know it’s disappointing, because it’s hard to get anyone to look at your work. That’s why the people who make progress are those who display brilliantly bloody minded ambition mixed with politeness, a thick skin and openness. Do have a read of my blogs and hopefully there is some useful advice.
I have considered charging people for a script reading service, but while I am in gainful employment that doesn’t feel right and I don’t really have the time to dedicate to it. James Cary – a very experienced sitcom script writer and editor – has just opened a window of opportunity to get him to read your work in return for backing one of his projects. I think this is very fair and something I have considered and may yet do in the future. You may be forced to buy my music in return for me reading your work. Well, not forced, but you get what I mean. I think these kind of deals are a fair trade. As James writes in his blog, a considerable amount of time really is needed to give proper notes on a script – three or four hours – and even to give something a quick read and general thoughts on whether or not it’s any good takes a good chunk of time.
If you want to get in touch with offers of a multi-million pound record deal for my music or similar amounts to turn the blog into a book, then that’s, like, totally cool. Drop me an email. If you do then I’ll read your script in return – yep, I am that shallow. Soz everyone and good luck.
Several years ago I pitched the idea of a documentary about Steve Davis and his love of alternative music. If you don’t know, he likes extremely alternative music, not the stuff on Radio X masquerading as alternative but tunes you might find on Stuart Maconie’s Freak, or indeed Freakier, Zone. I always thought it would be fun to get fellow match room mob players and Barry Hearn to listen to the likes of Magma, the French prog rock band that Davis brought over to play in London in the eighties.
In a meeting a Channel 4 commissioning editor said, ‘Are you seriously pitching me Steve Davis on Avant Garde Rock?’ And I said, ‘Yeah, kinda.’ And he laughed me out of the room. Well, who’s laughing now someone else has made this, a lovely short documentary?
My connection with this tale is through the brilliant musician, Kavus Torabi (that’s him on the right), whose current outfit Knifeworld creates incredible music – they’ve just released a new album, Bottled Out of Eden. I went to school with Kavus and aged around nine or ten managed his first band, Unarmed Combat, a beat combo that sadly never recorded a thing or played any gigs. My stint in management proved that I was never going to make a great svengali figure as I gave the three members 5p each for turning up to a rehearsal, instantly clearing out my pocket money for a week. The management is supposed to screw over the artists not fund their profligate lifestyles before they’ve even got a record deal and had a hit.
Anyhow, the whole Steve Davis and his love of interesting music thing has been covered in the press a bit recently and I’m delighted someone picked up on it to make this short, which also features Kavus.
Have a watch, it’s sweet.
We’re In This Together, my song about kidnapping George Osborne is out now. Here’s the video…
You can buy the song on iTunes.
Or you can listen to it here…
Thank you for your patience and understanding.
Last week I played MJ Hibbett’s lovely Totally Acoustic gig. I’ve done a few of them and they’ve all been fun, but this was probably the most fun. Here’s the podcast…
In a bid to build excitement in the multi-pronged release of We’re In This Together as a song and a short story I have made a trailer. The story is available for pre-order (scroll down a bit and there’s a link on the right hand side) and they’ll both be unleashed on 29th Jan to a suspecting public. Here’s the vid…
Some of you may recognise this from a show I did a while back (okay, it was four years ago, but I’ve been busy). I’ve been playing the song live recently and it always goes down a treat, so I’ve recorded it properly with the brilliant Augustin Bousfield of the mighty Gurgles. And turned the show into a short and eminently digestible story.
Huge thanks to the incredibly talented John Griffiths of LUA Design for the brilliant artwork.
Happy New Media Year.
It’s a new year and a new you. And a new me. This year we’re all really gonna make it. I absolutely guarantee it. Money back. Although, I am still largely working in old media. Except here, that is. Here is where, unlike all you millennials out there, I am a digital immigrant, culturally enhancing the online space with my grey matter (hair).
I thought I’d post a couple of things I’ve helped out with and like.
Here’s a rather brilliant short film I had the pleasure of being involved with a small bit. I’ve been really impressed by Meat Bingo’s shorts and project CS911346d, written by and starring Sanjeev Kohli, is no exception. They’re based in Devon, from whence I hail, and I had the pleasure of meeting up with the director John Panton and some of his talented collaborators in an Exeter pub just before Christmas. That’s the power of Twitter, which is how we first got in contact. I’m looking forward to seeing more from them, hopefully a feature sometime soon.
I first became aware of Meat Bingo through their collaboration with Michael Spicer who’s output online continues to be brilliant, original and funny. His latest work Rec 601. is ace. Here’s a preview clip – it’s one of my favourite sketches from the series. There are three short episodes on YouTube, so do check them out.
Why isn’t he on the telly yet? Maybe I’ll do a blog about that, but I hope his work finds it’s way on to the small screen soon and, yes, I am trying to help make that happen.
I hope those bits inspire you to do stuff. Write, shoot or whatever you want to produce. They inspire me. I’m releasing some stuff later this month, mostly music based as I’ve been working on some tunes which I’m really happy with. At the end of January I’ll be releasing We’re In This Together – my song about the (sadly) fictional kidnapping of George Osborne along with a video and ludicrous short story.
Please do contact me. I like hearing from people especially if they at least pretend that they’ve read, watched and listened to everything I’ve ever done. Many get in touch asking for advice on where to send their script or how to contact production companies. Here are a few blog posts that should help with that.
May the force awaken for you in 2016.
Yes, I watched the Star Wars film over Christmas. I quite enjoyed it.
This is a re-recorded and mastered version of my most popular song on Spotify (largely due to confused fans of Norwegian indie band highasakite listening to it, but if it works for Adele…) I wrote it after my girlfriend and I went up on Plymouth Hoe to see if a prop kite she’d made would fly. I filmed our attempts on my old phone and here’s a re-cut video to accompany it. The song is also available as a free download on Bandcamp. It’s the first track I’m releasing that will be on an album which will be out in 2016…