Hello. I develop comedy for television. Have a read of my Foot in the Door blog where I remember some of the stupid things I’ve done in my career. It may be useful if you’re into that kind of thing. I also write and perform comic songs. You can listen to them here and find out about gigs too. Thanks for having a look.
I started the year with good intentions. I was, quite literally, a soul whose intentions were good. But y’know, things got busy. Someone gave me a job for a couple of months which was very kind (or stupid) of them and at the same time I’ve continued to develop a bunch of projects as per my previous Numbers Game post. Throw enough sh*t at the wall and something might just stick.
And then I went off on honeymoon for a few weeks to Japan. Poor me. Here I am waving through a hole in a massive red pumpkin.
It’s on the Japanese island of Naoshima, which is stuffed full of art. Yep, the pumpkin is art.1
I am inside art and enhancing it through the medium of interpretive photo posing.
Now I’m back working on my slate, so I’ll attempt to keep you updated and throw out any witterings that I think might be useful. Do keep in touch. I am always happy to hear from people with questions and comments. I’m sorry I can’t read and feedback on your material – it’s impossible at the moment – but I try to offer as much advice as I can here.
1 It’s Yayoi Kusama‘s Red Pumpkin. She loves pumpkins. She nuts for them. There’s a massive yellow one on the island too which is ace although you can’t get inside that one.
I watched this yesterday and I know a few of the people involved as it’s made by my old colleagues at Channel X so I declare an interest, but I thoroughly enjoyed it and reckon it’s a great pitch for a series.
Channel 4’s Comedy Blaps are just that – lower budget ways to pilot potential series ideas which have lead to shows like Chewing Gum and a couple of series coming this year I think. And many broadcasters have commissioned tasters – shorts usually based on a few scenes from a full half hour script – that have then gone straight to series. Many are not made public, but it’s great that some now are so we can see things in their nascent form. Tasters give everyone a chance to test the writing, direction and cast but it’s not easy to do, of course.
I’m not going to do a full analysis because I have a life but this works and is well produced because….
It’s a timely idea, relevant and interesting.
The writing is excellent – a great set of characters from whom great comedy can emerge. The reveal of Sami and how they all react is a great set piece and there are some lovely lines ‘hard bristle’ stood out for me.
It’s written by Rufus Jones who plays Peter so the cast has a great foundation to build on and they’re all very good indeed.
The set up for the story and where it might go is all there. And all the relationships are well thought through and explored efficiently with an ending that leaves you wanting to see more.
I know if you’re trying to make shorts and tasters on no budget at all (this was, of course, funded by Channel 4, but the budget would be low) then it is difficult to match, but you must look at what other shows have been successful and aspire to them.
Hello and a very happy new year. I hope you are excited by the possibilities and opportunities that lie ahead. Even if you are currently sat in your dressing gown typing nonsense for your website attempting to stave off the fear. Just by the very act of typing, you are doing that. I think just did a bit of ironic self-congratulation. Not sure if that’s good or not – you decide.
For the last couple of years I was working for Comedy Central where I had a great time working on a bunch of stuff like Drunk History, which is a really great show and looks incredible, and the shorts I’ve posted about with Tom Rosenthal, Absolutely Fine, which are brilliant so do have a watch…
Now I’m back working independently, developing and writing projects all of which will definitely hit your screens at some point1.
So, here’s the plan… I’ve decided to be more open about what I’m up to. I’ve always been wary of sharing things too early, not because I worry about people stealing ideas – if you stress about that, you’ll honestly get nowhere. I remember reading a quote from a writer or producer (I think it was in David Quantick’s How To Write Everything) that the size and frequency of copyright notices on a submission is almost always inversely proportional to the quality of the writing. That rang true to me.
I can’t always give all the information, if I’m working on something with another writer then it’s not really fair to divulge it without their permission. But where I can, I’ll write about what I’m doing. I hope it’ll be interesting and useful, but mainly it’s an entirely selfish action – I reckon that if I tell people what I’m up to then it’ll motivate me to get stuff done, because it’ll be embarrassing otherwise. Expect loads of blogs saying, ‘I sent (INSERT PROJECT HERE) to (INSERT BROADCASTER OR EXECUTIVE HERE) and, ‘I am waiting to hear back from (INSERT BROADCASTER HERE).
Today I’m back to work and looking at a treatment for a silent comedy I’ve co-created. I think it’s a strong idea but it’s a bit of a re-working of a previous project. This is something that is always worth trying but it can be difficult to let stuff go. All I have to do it let all the great scenes and jokes that won’t work in the new format go. Let it go.
Sorry if you now have that song from Frozen going round in your head.
Good luck in 2018.
1Okay, maybe 5-10% have a realistic chance, but you have to start with the belief that all will be good enough otherwise you might as well go back to working in a luxury fruit goods packing factory in Devon. That was my worst job ever. Worse than working in Sergeant Pepper’s Fun Pub where, on my first shift aged eighteen, a drunk middle-age woman leant over the bar while my hands were occupied pouring a pint and started undoing my trousers.
Merry Christmas! Here for your festive delectation is a short film I did a bit of my executive producing on. What does that mean? No idea, but I did whatever I could in an executive fashion. All the hard work on Sleigh was done by the brilliant John Panton who directed and co-wrote with David Quantick and producer Michael Knowles. It features a song specially composed by Elbow and has been released on the Dead Parrot comedy channel. Enjoy…
A second series of Tom Rosenthal’s brilliant Absolutely Fine has just been released on Comedy Central UK’s youtube page. I had the pleasure of exec producing this. Tom and the cast did a great job. Here’s the first one…