Here’s a lovely video from the ace Tom Rosenthal who made these shorts for Comedy Central. I helped a wee bit, but he did pretty much everything on it. They’re great…
Hello. As you may have read on such illustrious platforms as Chortle or televisual industry websites I have a new job working for Comedy Central. The articles were accompanied by either an old picture of me holding a guitar or a recent hurriedly taken self-portrait. In both I have the cold dead-eyed stare of a killer. When I took the new pictures I rejected one where I was smiling because my girlfriend said I looked like too much of a pushover. It seems I now have to strike fear into anyone who is pitching to me. I bet you’re quaking in your fashionable boots.
A friend texted me this picture from the print edition of Broadcast, which I never actually saw. Now I have a proper job it seems I’ve gone fully Partridge…
In the full quote I make a self-deprecating joke, obviously. But they’ve edited it down, as is their right, to bring out the full media tosser.
It’s a really interesting, exciting and challenging role which I’m very lucky to have and I am throwing myself into with gusto (obvs, but also just in case my new employers are reading this). One of the big issues for me to deal with now is how I respond to people who contact me through the website. I’ve enjoyed being open, receiving ideas and I do try to respond – I generally can’t give detailed feedback on projects, but I’ve read every message and, apart from a recent backlog due to being a bit busy, what with the new job ‘n that, have responded to pretty much all of them. I only ignore those who make no effort to be courteous and only slightly prioritise those who heap praise on my vain little head.
From now on, however, I probably won’t look at your script or idea. I don’t want to close my email, because I think it’s useful all round for people to be able to contact me. A question might inspire a blog post that can then help more of you, for example. But for reasons of both practicality, legality and all round retention of sanity I’ll have to stop reading unsolicited scripts.
I know it’s disappointing, because it’s hard to get anyone to look at your work. That’s why the people who make progress are those who display brilliantly bloody minded ambition mixed with politeness, a thick skin and openness. Do have a read of my blogs and hopefully there is some useful advice.
I have considered charging people for a script reading service, but while I am in gainful employment that doesn’t feel right and I don’t really have the time to dedicate to it. James Cary – a very experienced sitcom script writer and editor – has just opened a window of opportunity to get him to read your work in return for backing one of his projects. I think this is very fair and something I have considered and may yet do in the future. You may be forced to buy my music in return for me reading your work. Well, not forced, but you get what I mean. I think these kind of deals are a fair trade. As James writes in his blog, a considerable amount of time really is needed to give proper notes on a script – three or four hours – and even to give something a quick read and general thoughts on whether or not it’s any good takes a good chunk of time.
If you want to get in touch with offers of a multi-million pound record deal for my music or similar amounts to turn the blog into a book, then that’s, like, totally cool. Drop me an email. If you do then I’ll read your script in return – yep, I am that shallow. Soz everyone and good luck.